Elle-Máijá Tailfeathers is a filmmaker, writer, and actor. She is a member of the Kainai First Nation (Blood Tribe, Blackfoot Confederacy) as well as Sámi from Norway. She graduated from the University of British Columbia with a Bachelor’s Degree in First Nations Studies and a Minor in Women’s and Gender Studies. She is also an alumni of Vancouver Film School’s Full-time Acting Program.
She began her filmmaking career in 2011 with the experimental short, Bloodland. Since then, she has gone on to explore narrative fiction, documentary, mockumentary, music video, and archival video remix. Her work is often community focused and rooted in social justice. Her award-winning films have screened at festivals around the world including the Berlinale International Film Festival, the Vancouver International Film Festival, imagineNATIVE Film and Media Arts Festival, the Seattle International Film Festival, and the TIFF Top Ten Festival.
Elle-Máijá is an alumni of the Berlinale Talent Lab, the International Sámi Film Institute’s Indigenous Film Fellowship, and the Hot Docs Doc Accelerator Lab. She is also a member of the Embargo Collective II. She was presented with the 2014 Vancouver Mayor’s Arts Award as an emerging artist in film and new media and a Vancouver Women in Film Kodak Image Award for her work on A Red Girl’s Reasoning. She is currently developing a long-form documentary (with the support of the National Film Board of Canada and the Hot Docs Cross Currents Fund) on her community’s brave response to the ongoing fentanyl crisis and directing a feature-length documentary birthed from the c̓əsnaʔəm, the city before the city 3-site Museum exhibition with the Musqueam Indian Band, the UBC Museum of Anthropology, and the Museum of Vancouver.
She won the Best Lead Actress in a Dramatic Program or Limited Series Canadian Screen Award for her role in On the Farm (aka Unclaimed). She was also nominated for Leo Awards for her performances in Not Indian Enough and On the Farm (Unclaimed), and nominated for American Indian Motion Picture Awards for her roles in White Indians Walking and On the Farm (aka Unclaimed). Her acting credits include roles in On the Farm, Not Indian Enough, White Indians Walking, The Guard, The Reaper, Shattered, and Another Cinderella Story. She has also appeared on stage in Presentation House Theater’s Where the River Meets the Sea and Beaivváš Sámi National Theater’s Silbajávri.
Her creative and non-fiction work has appeared in publications such as Biography (an interdisciplinary journal from the University of Hawaii Press), Š Bláđit (Sámi Youth Magazine, Norway), Richard Van Camp’s Good Medicine Project, Redwire Magazine, Windspeaker, and Briarpatch Magazine.